Transitions

Posted By Carlo on August 29, 2010

August has been an important month. The key events: I severed my ties with the Cleveland Jazz Orchestra following a process that resulted in my feeling I no longer could contribute to the board, and we delivered Katy to the University of Colorado at Boulder.

The CJO decision continues to weigh on me, and I’m not sure whether I’m going to reconsider it. It left me in a world of hurt, a place I don’t want to occupy and one I’m struggling to pry myself out of. Sorry for the grammar, sorry for the circumspection. It’s a matter of calibrating the proper balance between personal and professional.

As for Katy, it was difficult to leave her so far away in beautiful Colorado, but word is she’s adjusting, though not without challenges. Our trip there en famille was stressful, though Boulder’s very attractive.

Ties do bind. Sometimes they fray. Sometimes they break. The last is when repair becomes the operative word. September will be a month of repair.

Over too soon

Posted By Carlo on July 31, 2010

Haven’t written anything for my blog it seems like forever, and it’s the end of the month, a change. July was hot, indeed. It was also great: I can’t remember a nicer summer in Cleveland, which is indeed getting warmer. But this evening there’s a coolness, a dryness absent all July, suggesting fall is in the air. Fall is lovely here, but winter’s close on its heels.

Other random thoughts: I’m reviewing/working in/on jazz a lot, writing reviews and features for Jazz Times and doing some marketing work for the Cleveland Jazz Orchestra. I’m also listening to rock again. I love the new Tom Jones CD “Praise and Blame” and Tom Petty and the Heartbreakers’ “Mojo” and am intrigued by The National, a New York group running Bowie circa “Low” through a fuzzadelic blender on “High Violet,” their dourly beautiful new album.

Also must direct you to the blog of my wife, Karen Sandstrom, who has crafted a portrait of me at my summeriest, wearing “jorts.” What a drag it will be to wear long pants again. It’s almost time.

Lylah goes worldwide

Posted By Carlo on July 9, 2010

My daughter, Lylah Rose Sandstrom Wolff, has her first global photo credit. It’s a picture of me that she took in New Orleans in January, in color. Slacker genius that she is, Lylah decolorized it, giving it a gritty, black-and-white treatment. It’s not permanent—I believe in updating, at least seasonally—but it’s cool. It’s on page 8 of the July/August issue of Jazz Times, a monthly magazine to which I contribute. It accompanies a brief bio I wrote for the issue, where I have the lead review, of a Chick Corea reissue of solo piano music that he recorded for ECM in the ‘70s and ‘80s.

What’s great about her first world credit as Lylah Rose Wolff is she hit it age 15. I didn’t go global until the ‘80s, when I was in my late 30s and writing for Goldmine, a record collectors’ magazine. My wife, the amazing multimedia artist Karen Sandstrom, hit the world in 1995 with a preview of the art that would go into the Rock and Roll Hall of Fame and Museum in Cleveland. That ran in Art and Antiques.

Lylah’s way ahead of the curve. A whiz at Photoshop, she’s wired for contemporary media. She has a Nikon, she’s beginning to turn her bedroom into a studio, and she’s creative and ready to learn. All she has to do is keep on keeping on with her camera, get over any squeamishness that stands in the way of getting a powerful picture (much is distasteful to my very girly girl) and press her case. It’s a powerful one.

Cleveland rocks again!

Posted By Carlo on June 11, 2010

Yes, that’s a cliché, but Justin Carr has given it new life with a 17-minute DVD about Cleveland’s role in rock. In it, I talk about the city and its rock tradition, along with Rock Hall head Terry Stewart, legendary promoter Mike Belkin, and Billy Bass, a remarkable DJ known for his farsightedness at WMMS in the ‘70s.

Carr is an ambitious kid. He’s going into ninth grade at University School and spent nearly two years on the project. It’s a little crude, kind of like rock itself, and it’s the “official” Cleveland rock story in that it doesn’t mention anything underground or alternative.

But it has some cool footage, including some very raw AC/DC and a clip featuring Southside Johnny and Bruce Springsteen from an Agora concert. Check them out on YouTube:

YouTube Preview Image
YouTube Preview Image

Putting the past in perspective

Posted By Carlo on May 25, 2010

The Orientalist

I miss my parents lately, particularly now that I’ve read The Orientalist, Tom Reiss’ biography of Lev Nussimbaum, a tortured intellectual and prolific writer who lived while the great empires—the Ottoman, the Hapsburg, the Russian—died and totalitarianism took over. Nussimbaum was also known as Essad Bey and Kurban Said; he was a Jewish Orientalist whose greatest talent was self-invention.

Nussimbaum was born five months after my mother, in Baku, Azerbaijan, a city where there were oil fires above ground when he was a child. Baku, in Reiss’ telling, sounds like it came from The Arabian Nights.

My mother, who was quite a party girl, might have known Lev in the ‘20s when both were living in Berlin, a city Reiss captures with extraordinary vividness. Berlin in the Weimar period must have been a delight. If time travel were possible, I’d be there.

Nussimbaum’s is a story of displacement and exile. The book unearths history I had never imagined and helps explain why my parents, like the fascism-prone, Bolshevik-hating Nussimbaum, fled Germany for Italy in the early ‘30s (Italy wasn’t officially anti-Semitic until 1938, the year of the Anschluss, when Germany annexed Austria and Hitler and Mussolini formalized their alliance).

One of the most original works of history I’ve ever read, Reiss’ book—which he developed because he’s the “child of German-speaking Jews trapped in Nazi Europe” (I’m the son of German Jews who got out just in time)—documents a fantastic man negotiating perilous, challenging times. We live in interesting times now, with the world collapsing economically, forcing political accommodations that will be strenuous indeed. But Nussimbaum’s short career—he died, gangrenous and in great pain, in 1942—celebrates a degree of ingenuity and inventiveness rarely called for these days.

It also makes me very happy my parents made it to America, where you can breathe relatively freely. I wish I’d recorded more of their stories.

Also, visit Tom Reiss’s website.

Europe

Posted By Carlo on May 7, 2010

I’m staying in the Dolce Sitges north of Barcelona and Barcelona just outscored Milan, Italy in soccer. I’m in a bar in a beautiful hotel in a sunny suburb of a gorgeous city that nevertheless just lost its grip on a contest that rivets this continent like football does in the United States. Good to be here even though I’m in a country with 20 percent unemployment that today, April 27, saw its credit rating reduced to junk.

Antonio Gaudi's Sagrada Familia in Barcelona is Catholicism on LSD.

I’m with friends on a hotel trip that’s deeply wearing but stimulating, on a continent that seems to be imploding but is still vital, authoritative and elegant. Here, trains are high-speed, cars are efficient, you can walk the cities, health care isn’t a fight. Shows you the U.S. has a long way to go.

A week later, however, Europe’s troubles are dragging down the world, stymieing what looks like an embryonic U.S. recovery. I don’t understand how a continent so apparently progressive can be in imminent danger of collapse. Too much community, it seems. It’s great to be all for one and one for all when the economy is on the way up, but one drags down all when it’s tanking.

But I ramble. The trip went from April 22 to May 1. We visited Belgium (Brussels was much more attractive than I expected), France (a day in Paris was expectedly delightful and Provence was ravishing), Spain, and Munich, Germany. I spent less than two hours at Dachau Concentration Camp, just long enough to chill at the recognition that it’s not just the evil the Nazis did, it’s how systematic and efficient that was.

Dachau was the first Nazi concentration camp, a model for all the others.

I hope I go back. Each major city I visited—Brussels, Paris, Marseille, Barcelona and Munich—is a world of its own. I’m a Europhile.

Up in the air

Posted By Carlo on April 22, 2010

I’m off to Europe on a hotel trip today, back May 1. Didn’t think I’d go because of the Iceland volcano, but the Continent seems to have quieted down, and the trip is on.

I’ll be in Brussels, Barcelona, Toulon, Marseille, Chantilly and Munich. More train than plane is in the plans; it’ll be interesting to see how Europe handles its travel in the shadow of the volcano.

It’s been a while since I wrote. One of the highlights of the past few weeks was Karen and I going to dinner with Bob Hoover, books editor of the Pittsburgh Post-Gazette; his wife, Kathleen; our friends Ron Antonucci and Sarah Willis; and the star of the event, Kay Ryan, Poet Laureate of the United States.

Dinner with the Poet Laureate of the United States was something to chew on.

Stimulated

Posted By Carlo on March 29, 2010

I just started Week Two of mental stimulation marked by seeing six movies at the dazzling Cleveland International Film Festival, a great, too-short concert by John Zorn’s Masada Sextet (here’s my preview) and, this morning, reading “Atomic Age,” Martin Benjamin’s first, long-overdue book of photography.

Karen and I went to the film festival for the first time in it must be 10 years last week, and didn’t hit a clunker. Here’s what we saw: “The Ape” (Swedish); “House of Branching Love” (Finnish); “A Matter of Size” (Israeli); “Fire in the Heartland” (U.S.); “Desert of Forbidden Art” (U.S.); “Marwencol” (U.S.) Each time we went downtown was more fun. The festival was packed, the standby lines long. Here’s a brief rundown of the flicks:

“The Ape”: Intellectually fascinating study of paranoia and trauma that never resolved, remaining ambiguous and disturbing. The point of view was riveting.

“House”: Bawdy, funny sex comedy about tribulations and rewards of marriage. Entertaining as hell and ultimately uplifting. The actor who played Wolfi could be a major star.

“Fire”: About the May 4, 1970 National Guard shootings at Kent State. Well-documented and profoundly sad, it evoked the politics of the ‘60s with minimum preachiness and suggested there still are stories to uncover about that seminal incident.

“Matter”: Emotionally my favorite flick, it’s a comedy about four giant misfits in a small Israeli village who channel their creativity into becoming sumo wrestlers. It’s a whole new way of seeing fat, too. A blast.

“Desert”: A documentary about suppressed Soviet-era Modernist art in a museum in Uzbekistan. Great art, amazing story.

“Marwencol”: From rural, upstate New York comes this documentary about a guy beaten nearly senseless whose “recovery” consists of creating a World War II-inspired community in his backyard, populated by dolls. The most provocative movie I saw, it makes you rethink your notions of art and “wellness.”

Saturday night, I saw John Zorn’s Masada Sextet at the Cleveland Museum of Art. Saxophonist Zorn, who channels what he calls Radical Jewish Culture, and his five co-conspirators played only a little over an hour, but how and what they played! Great, often romantic music with a Sephardic, Spanish coloration; even one highly abstract piece was a kick, because Zorn and Co. so enjoy each other and their shared discipline.

The film festival and Zorn show were breaths of fresh air in a community that often feels ingrown. Seeing crowds downtown was invigorating. Hearing Zorn’s music was similarly mind-expanding. Cleveland felt like an open city this past week. Maybe it’s spring rearing its desired head.

Today I got Martin Benjamin’s “Atomic Age” in the mail. I worked with Marty in Albany in the ‘70s and ‘80s at rock and roll shows, and he’s the best photographer I’ve ever worked with (dig into his website and you’ll find a picture of me—with more hair and way bigger glasses). His book—infrared photos of his wife; shots from irradiated sites; glimpses of remote cultures; startling closeups of what look like perfect strangers—is an event. Like words, but in different ways, images can move and shape and change the world. Marty’s certainly do.

Rock lives

Posted By Carlo on March 7, 2010

In rock ‘n’ roll, comebacks are by no means a sure bet. Some bands never go away, even when they should, like the Stones and the Who. Some go acoustic and minimal, like Ray Davies of the Kinks. Others devolve into their leader, like Roky Erickson, whose 13th Floor Elevators yielded the barbed-wire breakup song, “You’re Gonna Miss Me,” in 1966, a semimajor hit featuring Erickson’s barbaric yawp and a surging rhythm bed that presaged heavy metal in its power and punk in its simplicity.

I saw Erickson at the Beachland Ballroom last night, after catching him Nov. 14 at a Janis Joplin tribute in which he sang “You’re Gonna” and “Ooh! My Soul,” a Little Richard number perfectly suited to his primal scream. Could Erickson sustain a whole set? No problem. He was fabulous.

Not only did he end with “You’re Gonna” (no encore despite wild applause, whistles and the usual hoots), he stomped through a gang of other numbers from his work in Elevators and Roky Erickson and the Aliens, and he was fierce. This was hellfire rock ‘n’ roll snatched from the abyss and delivered by a master. In the beginning, the rock word was Sun Records. The second generation was the British Invasion and the American response spearheaded by the Beatles, the Byrds, Dylan—and misfits like Erickson, a leonine phoenix who works idiosyncratic hard rock as if he’d invented it. He’s on a brief tour with Okkervil River, a startlingly good young band from Austin, the liberal oasis in secessionist Texas, where Erickson made his first mark nearly 50 years ago. I can’t wait for “True Love Cast Out All Evil,” his first album of new material in more than 10 years. It’s due out April 20.

The show was cool for other reasons. Not only was it a highlight of the Beachland’s 10th anniversary, it also featured two talented Cleveland bands: Living Stereo, a sharp, new wave quartet with complex songs and stage presence to burn, and the Alarm Clocks, a Byrds- and Petty-influenced guitar band of chops, seasoning and occasionally interesting texture. Living Stereo was a hard act to follow (especially for an opener), the Clocks a nice bridge that got better as the mix settled in. Erickson, however, dominated as soon as he took the stage.

I wish I’d caught Pere Ubu the night before, when the storied and fractious underground Cleveland band recreated “The Modern Dance,” its 1978 breakthrough. Friends tell me the house was nearly full, the energy level high, Ubu mainman David Thomas in relatively high spirits. A frazzled-looking, withdrawn Thomas was at the Erickson show. He looked thin and weary, a shadow of his former self. I hope he enjoyed the Erickson revival as much as I did.

The right of spring

Posted By Carlo on March 6, 2010

The headline is a pun I use as an excuse to catch up with my blog, woefully unattended to for nearly a month. Seriously, it’s a pleasure to write this at my living room window as I watch snow mounds on the deck finally melt.

It’s still cold but it’s bright, the snow crunching less than it did even a week ago. It’s been a chilly winter, though the sun the past few days has been delightful if a bit illusory. Around this time of year in Cleveland, the mind turns to getting far, far away and warm, warm and sunny.

Karen and Katy are traveling to Colorado next week to look at the University of Colorado in Boulder. Lylah just turned 15 and got a Nikon for that milestone (you’ve seen some of her pix; you’ll see more). And I’ll be traveling to Europe in about six weeks on a hotel trip arranged by my good friend and highly prized professional colleague, Rich Roberts.

So the thaw seems real, there’s motion in the works, the freeze is breaking. Other signs: those wily socialist Democrats who want to plunder the country for their own takeover will pass health care reform, flawed though it may be; the economy is sputtering with a little promise; reason seems to be clawing its way back into public discourse.

Ask me for citations and I’d be hard-pressed, but that’s my feeling.

About the author

Carlo

I'm a veteran critic and business writer who reads and listens and writes about music, books, hotels and travel. I've been in the business for many years and still enjoy it. My pride and joy is my book, Cleveland Rock & Roll Memories. Follow me on Twitter: http://twitter.com/CarloWolff