Carlo Wolff » Big Band Jazz

Signs of spring

Carlo — Thu, 31 Mar 2011 02:54:02 +0000

It’s March 30, and it snowed. Just a few inches, but still. Goes against what I’m doing, which is reviving, getting a full head of steam: writing for Lodging Hospitality again, rejoining the Cleveland Jazz Orchestra board (there are some wrinkles to work out) and producing a lot for ohioauthority. I’m also developing a proposal for a book on Cleveland’s hidden music: the soul, jazz and blues of the ‘50s through the ‘80s, when it was still a big city. True, it may have stood in the shadows of Motown. But Cleveland had its own style. Still does.

The heart of the book will be East 105th Street and Euclid Avenue, what we now call University Circle. At the time I’m looking at, 105 was home to a gaggle or bars/entertainment venues where in the late ‘50s you could hear Chuck Berry, Bill Doggett, Johnny “Hammond” Smith and Billie Holiday within the same week. I want to recreate those black-and-white times before the people with the right kind of memories pass. Those people are largely black, and it’s a sensitive project.

So starting in April, I plan to devote more and more time to this. I want it and all its ancillaries—it’s a multimedia era—in stores and online by Christmas 2012. Something big to work toward. It’s exciting. Now if only it would warm up…

Random thoughts

Carlo — Sun, 07 Nov 2010 16:10:14 +0000

Musings of a peripatetic thinker. Ponderings without a point. Catching up. Intellectual laziness. Call it what you will, I figure I should capture some mind wanderings, given the week past, last night’s entertaining Cleveland Jazz Orchestra concert “The Cleveland Scene,” and upcoming travels. I’ve never been great at headlines.

I’m depressed about the elections, though oddly confident that Obama will now learn to lead the country, particularly since all the GOP seems wont to do is continue to say no to anything he tries. That’s not a program, and even when it’s hard to discern, Obama has one. So maybe there’s hope.

On the CJO: This was the first time I’d encountered several members of the board since I quit in August over its hiring of a communications person other than me. I don’t like some board members, so encounters were prickly. The show featured Cleveland stars Bob Fraser, guitar; Dominick Farinacci, trumpet; Ernie Krivda, tenor sax; the storied blind organist, Eddie Baccus Sr., rocking the Hammond; Ki Allen, vocals. It was a little lurchy and long, but basically nifty, even communal. Ki—my favorite Cleveland singer for sure—was terrific; Ernie was big-toned and expansive, particularly on “Laura”; the Frase made a lovely pass of intricately chorded variations on “Norwegian Wood”; and the restrained, suspensefully soulful Farinacci turned in a gorgeous “Manha de Carnaval,” from the film “Black Orpheus.” The show didn’t quite sell out, but it felt good. I’m still hostile toward the organization but miss the band.

Tomorrow I travel to Vancouver for a Best Western conference. I’m looking forward to a brief visit to a city that years ago was the stage for the wildest week I’ve ever spent. In 1975, I flew there on recommendation of a sometime girlfriend in Burlington who suggested I stop over there on my way to San Francisco and hook up with two of her friends, Jane and Carla. Did I ever: I spent a wild, stoned week there, enjoying myself immensely, profligately, bawdily. I leave the detail to your imagination.

And on Nov. 16, I’m flying to Tokyo for six days, courtesy of Hilton. I’ll stay at the Conrad at the Shiodome, tour the new Tokyo airport, and inhale as much as I can of a city I’ve always wanted to see. More soon.

Transitions

Carlo — Sun, 29 Aug 2010 15:23:45 +0000

August has been an important month. The key events: I severed my ties with the Cleveland Jazz Orchestra following a process that resulted in my feeling I no longer could contribute to the board, and we delivered Katy to the University of Colorado at Boulder.

The CJO decision continues to weigh on me, and I’m not sure whether I’m going to reconsider it. It left me in a world of hurt, a place I don’t want to occupy and one I’m struggling to pry myself out of. Sorry for the grammar, sorry for the circumspection. It’s a matter of calibrating the proper balance between personal and professional.

As for Katy, it was difficult to leave her so far away in beautiful Colorado, but word is she’s adjusting, though not without challenges. Our trip there en famille was stressful, though Boulder’s very attractive.

Ties do bind. Sometimes they fray. Sometimes they break. The last is when repair becomes the operative word. September will be a month of repair.

Over too soon

Carlo — Sun, 01 Aug 2010 00:24:01 +0000

Haven’t written anything for my blog it seems like forever, and it’s the end of the month, a change. July was hot, indeed. It was also great: I can’t remember a nicer summer in Cleveland, which is indeed getting warmer. But this evening there’s a coolness, a dryness absent all July, suggesting fall is in the air. Fall is lovely here, but winter’s close on its heels.

Other random thoughts: I’m reviewing/working in/on jazz a lot, writing reviews and features for Jazz Times and doing some marketing work for the Cleveland Jazz Orchestra. I’m also listening to rock again. I love the new Tom Jones CD “Praise and Blame” and Tom Petty and the Heartbreakers’ “Mojo” and am intrigued by The National, a New York group running Bowie circa “Low” through a fuzzadelic blender on “High Violet,” their dourly beautiful new album.

Also must direct you to the blog of my wife, Karen Sandstrom, who has crafted a portrait of me at my summeriest, wearing “jorts.” What a drag it will be to wear long pants again. It’s almost time.

Thanks, Woody Herman

Carlo — Mon, 14 Sep 2009 16:49:13 +0000

This set includes period liner notes by Nat Hentoff, Leonard Feather and Willis Conover.

These Woody Herman recordings from the early to mid-’60s boast modernist arrangements, spectacular solos and a judicious selection of pop covers. These roaring, democratic dates suggest that Herman was a thoughtful sort capable of switching between incendiary soloing and giving his great players plenty of solo room themselves. The Mosaic Select box resurrects three albums from the long out-of-print Mercury and Smash catalog, including a live date from 1964. Big-band jazz is one of the nichiest areas in jazz, a niche genre of its own. This box attests to a period when jazz still had affinities with pop; the mid-’60s, after all, was one of the richest periods ever when it came to musical fermentation. This music—not avant-garde but intriguingly experimental and often daring—had wide appeal then and should have wide appeal now. Get it before it disappears again: Mosaic made only 5,000 of these.

Woody Herman (Mosaic Select)
Woody Herman (Artist)
Audio CD (June 23, 2009)
Original Release Date: January 29, 2008
Number of Discs: 3
Label: Mosaic Select
List price: $83.99

Click here to order from Amazon.com.